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Emma: An Annotated Edition, by Jane Austen
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Emma, perhaps the most technically accomplished of all of Austen’s novels, is also, after Pride and Prejudice, her most popular one. Its numerous film and television adaptations testify to the world’s enduring affection for the headstrong, often misguided Emma Woodhouse and her many romantic schemes. Like the previous volumes in Harvard’s celebrated annotated Austen series, Emma: An Annotated Edition is a beautiful and illuminating gift edition that will be treasured by readers.
Stimulating and helpful annotations appear in the book’s margins, offering information, definitions, and commentary. In his Introduction, Bharat Tandon suggests several ways to approach the novel, enabling a larger appreciation of its central concerns and accomplishments. Appearing throughout the book are many illustrations, often in color, which help the reader to better picture the Regency-era world that serves as the stage for Emma’s matchmaking adventures.
Whether explaining the intricacies of early nineteenth-century dinner etiquette or speculating on Highbury’s deliberately imprecise geographical location, Tandon serves as a delightful and entertaining guide. For those coming to the novel for the first time or those returning to it, Emma: An Annotated Edition offers a valuable portal to Austen’s world.
- Sales Rank: #449545 in Books
- Published on: 2012-09-17
- Original language: English
- Number of items: 1
- Dimensions: 9.53" h x 1.62" w x 9.75" l, 3.96 pounds
- Binding: Hardcover
- 576 pages
Amazon.com Review
Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.
For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber
From Library Journal
This is another case where a classic is being reprinted simply as a tie-in to a TV/feature film presentation. Libraries, nonetheless, can benefit by picking up a quality hardcover for a nice price.
Copyright 1997 Reed Business Information, Inc.
Review
Bharat Tandon's edition of Emma is a delight to read, as pleasurable as it is thought-provoking. He captures both the delights of Austen's novel and the way that those delights are shadowed by darker intimations. (Deidre Lynch, University of Toronto)
A superb new edition which combines weighty scholarship with exemplary lightness of touch. Bharat Tandon contributes not only a sparkling introduction, but also a bold set of notes that work like little keyholes, allowing us to peer into the most distant corners of Austen's world. Many of the novel's most subtle touches have been muffled by the passage of time; this edition brings them back to life. Suddenly a novel we thought we knew looks as fresh as it did on its first appearance almost 200 years ago. (Robert Douglas-Fairhurst, University of Oxford)
Bharat Tandon brings Emma to life like no previous editor. His extensive and engaging annotation throws searching new light on even its most familiar moments, while his splendid choice of illustrations reveals the world of the novel—its people, musical instruments, dresses, dances, games, furniture, food, carriages, books, and beautiful rural landscapes—in unmatched detail and immediacy. (Robert Morrison, Queen's University)
Emma remains one of Austen's most popular works, and in this annotated edition (the third in Harvard's annotated series after Pride and Prejudice and Persuasion), readers will find the charming story enhanced by color illustrations and well-crafted annotations. In his introduction, Tandon places Austen in literary and historical context before moving on to a discussion of Emma in particular. The novel follows, with the annotations arranged in the oversized book's margins. The annotations, addressing topics from the mundane to the esoteric, comment on the prose itself and on the styles and etiquette of the times… Tandon's annotations will appeal to readers of all levels, and his effort to increase appreciation of Emma should meet with success. This carefully prepared edition is sure to meet the needs of Austen lovers and scholars alike. (Catherine Gilmore Library Journal 2012-09-15)
The latest gorgeous entry in the Belknap Press' growing library of annotated Jane Austen novels arrives, this time the mighty Emma under the exactingly careful guidance of Bharat Tandon of the University of East Anglia. Belknap has once again done its end of the job superbly: the book is a physical treat—luxuriantly over-sized, heavy with quality paper and solid binding, decked out in a beautiful cover and dozens of well-chosen illustrations throughout. This is one of the prettiest Jane Austen volumes available in bookstores…this season. (Steve Donoghue Open Letters Monthly 2012-09-01)
For die-hard fans of Emma, this annotated edition is a must-have. For readers new to Jane Austen's work, it's the perfect way to start what might likely turn out to be a lifelong love affair with her work…A highly readable, wonderfully illustrated and remarkably enlightening annotation of Emma. (Roni K. Devlin Shelf Awareness 2012-09-21)
Scholar and critic Bharat Tandon, who has previously written Jane Austen and the Morality of Conversation, now delivers an enriching set of footnotes to one of the most cherished novels of English literature. Praised for both his lightness of touch and depth of scholarship, Tandon provides, along with copious marginal glosses, a stimulating introduction and a fine selection of illustrations to heighten the reader's involvement and understanding. (Barnes and Noble Review 2012-09-22)
I literally swooned when I received a review copy of Emma: An Annotated Edition edited by Bharat Tandon. Readers of this blog know how much I have cherished this annotated series of Jane Austen's novels by Harvard University Press...Foremost, the books are lushly illustrated, beautifully produced, and well-researched by known Jane Austen scholars. Emma: An Annotated Edition is no exception…Annotated books are such treasures for the serious reader of Jane Austen's novels, explaining her words and old-fashioned idioms and making long dead customs come alive. This generously illustrated annotation from Harvard University Press both instructs and entertains with its running commentary along the margins, enhancing our enjoyment of one of Jane Austen's most perfectly realized novels...Emma: An Annotated Edition is well worth the purchase. (Vic Sanborn Jane Austen's World 2012-09-30)
Austenites can rejoice over this striking new annotated edition of Emma. (Entertainment Weekly 2012-12-06)
This lovely edition includes images related to the text as well as notes by Tandon. (Molly Driscoll Christian Science Monitor 2012-12-05)
Its large size and heavy weight, complemented by thick, wood-textured endpapers, acid-free cream-vellum paper, generous margins and woven bindings suggest an object important in its own right, an object and a form that will not go quietly into the good night. Its rich illustrations range from frontispieces and portraits to caricatures and Regency fashion plates, including a fine one for the Beaver Hat. Tandon's explanatory notes are similarly comprehensive and serve to link Austen not only to contemporaries such as Samuel Taylor Coleridge, Mary Wollstonecraft and Charles Lamb, but also to lexical and thematic lines that run backwards, from Samuel Richardson and Henry Fielding to Seneca, and forwards to James Joyce and the contemporary novelist Edward St Aubyn...Tandon's notes often function as brief scholarly and historic articles in their own right, and the combined effect of these notes and illustrations is an edition of almost Talmudic ambition, but one that carries its erudition without sacrificing readability...Tandon's notes are superb...One of the great merits of Tandon's edition is that, without breaking the spell of Austen's fiction, he presents her work as so very much of her time, whether that be in her conceptual relation to moralists such as Samuel Johnson, or in the social resonances of foodstuffs, clothing and card games. (Jonathan Sachs Times Literary Supplement 2013-02-07)
Most helpful customer reviews
670 of 731 people found the following review helpful.
A Masterpiece of Wit and Style, A Timeless Work for the Ages
By Gary F. Taylor
Jane Austen is one of the great masters of the English language, and PRIDE AND PREJUDICE is her great masterpiece, a sharp and witty comedy of manners played out in early 19th Century English society, a world in which men held virtually all the power and women were required to negotiate mine-fields of social status, respectability, wealth, love, and sex in order to marry both to their own liking and to the advantage of their family. And such is particularly the case of the Bennetts, a family of daughters whose father's estate is entailed to a distant relative, for upon Mr. Bennett's death they will lose home, land, income, everything. But are the Bennett daughters up to playing a winning hand in this high-stakes matrimonial game without forfeiting their own personal integrity?
This battle of the sexes is largely seen through the eyes of second daughter Elizabeth, who possesses a razor-sharp wit and rich sense of humor--and who finds herself hindered by her own addlepated mother, her sister Jane's hopeless love for the wealthy Mr. Bingley, and her sister Lydia's penchant for scandal... not to mention the high-born, formidable, and outrageously proud Mr. Darcy, who seems determined to trump her every card. But the game of love proves more surprising than either Elizabeth or Mr. Darcy can imagine, and sometimes a seemingly weak hand proves a winning one when all cards are on the table.
PRIDE AND PREJUDICE is simply one of the funniest novels ever written, peopled with memorable characters brought vividly to life as they both succeed and fail at the game of life according to the manners of their era. It is a novel to which I return again and again, enjoying Austen's brillant talent. I have little respect for people who describe it as dull, slow, out of date, for as long as men and women live and fall in love it will never be out of style, always be meaningful, and always be funny. A masterpiece of wit and style; a timeless novel for the ages.
627 of 687 people found the following review helpful.
Check the Publisher carefully before you place your order because....
By Kiwi
One of the versions listed is published by "General Books LLC." Another reader complained about the tiny and almost unreadable font - you probably bought the version published by General Books LLC - and here's the reason.
General Books LLC is an imprint of VDM Publishing, (google them and take a look at the Wikipedia article on them) and they specialise in publishing books that are free of copyright without doing any editing or quality control. A few quotes from the publishers website will explain more:
"We created your book using OCR software that includes an automated spell check. Our OCR software is 99 percent accurate if the book is in good condition. However, with up to 3,500 characters per page, even one percent can be an annoying number of typos....
After we re-typeset and designed your book, the page numbers change so the old index and table of contents no longer work. Therefore, we usually remove them. Since many of our books only sell a couple of copies, manually creating a new index and table of contents could add more than a hundred dollars to the cover price....
Our OCR software can't distinguish between an illustration and a smudge or library stamp so it ignores everything except type. We would really like to manually scan and add the illustrations. But many of our books only sell a couple of copies....
We created your book using a robot who turned and photographed each page. Our robot is 99 percent accurate. But sometimes two pages stick together. And sometimes a page may even be missing from our copy of the book. We would really like to manually scan each page and buy multiple copies of each original. But many of our books only sell a couple of copies..... "
So what you're getting if you buy the version published by General Books LLC is a scanned in, unedited, low quality (and with an almost unreadable font from the sounds of it) unindexed / No table of contents book at a higher price than many of the good quality imprints available. Basically, VDM Publishing is flooding Amazon with these low quality prints (450,000 of them are listed now) and, unfortunately, many of them have the reviews associated with better quality imprints associated with them. The product description is insufficient for the buyer that's not aware of this publisher.
Totally unethical marketing.
A reader,Scott Hannigan has commented: "What you have given us is feedback - not a review. There is an appropriate forum for your complaints. You should delete it as it brings down the average score of a classic." In response, I have to say that Amazon does not provide a forum for complaints and has been remarkably resistant to taking on board criticism from many customers over the books published by General Books LLC. In addition, Amazon is the Printer of these POD books and makes a substantial cut from them. Sadly, given that the General Books LLC version is lumped in with other imprints from genuine publishers, there is no real way of making potential buyers aware of the problems with this particular version of the book without inflicting it on all the other versions available. C'est la vie.
Scott - apologies for replying like this but Amazon removed my ability to comment some time ago - I broke ze commenting guidelines. Re "Amazon does provide a feedback section. You will find it under 'My Account', 'Personalization', 'Leave Seller Feedback'" - yes, they do indeed but the response to myself and many others has been uniformly that it's not their problem. Look up the discussion forum on Alphascript Books for a very enlightening backgrounder on this one. That said, if you bought a book from General Books LLC and saw what it was like, you'd be highly annoyed - as most buyers have been - and even if you returned it to Amazon for a refund, you'd be out of pocket for the postage.
141 of 151 people found the following review helpful.
Beautiful, sumptuous and satisfying
By Laurel Ann
Just when I thought I had more editions of PRIDE AND PREJUDICE than I should ever own up to, I will freely admit to just one more. After all, what Janeite could resist this tempting package? An unabridged first edition text; Annotations by an Austen scholar; Color illustrations; Over-sized coffee table format; Extensive introduction; And, supplemental material - all pulled together in a beautifully designed interior and stunning cover. *swoon* Where are my aromatic vinegars?
This new annotated edition appeals to modern readers on many levels beyond being a pretty package of a beloved classic. Austen is renowned for her witty dialogue and finely drawn characters, but not for her elaborate physical descriptions or historical context. When PRIDE AND PREJUDICE was originally published in 1813, this brevity was accessible to her contemporary readers who assumed the inferences, but after close to two hundred years words have changed their meaning, insinuations and subtle asides have become fuzzy, and cultural differences from Regency to twenty-first century are worlds apart. Anyone can read PRIDE AND PREJUDICE and follow the narrative, but it is so much more enjoyable if you can read it on an expanded level understanding it in social, cultural and historical context. Editor Patricia Meyer Spacks has not only added extensive notes on plot, characters, events, history, culture and critical analysis from a vast array of Austen and literary scholars, but added her own personal insights and observations from years of reading Austen and her experience as a college professor. From shoe roses to Fordyces Sermons to military floggings to the 19th-century meaning of condescension, readers will be informed and enlightened on every aspect related to the novel, the author and her times. In a nut shell, she has vetted great resources, gathered nuggets of knowledge and placed them at our feet.
As with all of Austen's characters, this new annotated edition of PRIDE AND PREJUDICE has its own charms, "frailties, foibles and follies." Weighing in at over three pounds, and encompassing 464 pages of unabridged text and fine print margin notes, this book easily reigns as the most all-inclusive and well-researched edition of Jane Austen's masterpiece that I have ever encountered. Considering that the elaborate annotation classifies it as a reference work in addition to a full text, it is quite puzzling that it lacks an index. In addition, the illustrations are expertly selected but sadly lost some of their refinement in the printing process, coming across dark and murky in places. However, I was pleased to see a list of further reading and illustration credits listed in the back of the book to encourage readers to "add something more substantial, in the improvement of [their] minds by extensive reading."
Beautiful, sumptuous and satisfying, PRIDE AND PREJUDICE: AN ANNOTATED EDITION is a monumental achievement that should be on the top of your holiday wish list and considered one of few editions available to be esteemed truly accomplished.
Laurel Ann, Austenprose
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